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25 Apr 2021. Observations; Addressing the 'circular object' seen within 'The Schumann'




25 Apr 2021. Observations; Addressing the 'circular object' seen within 'The Schumann'

Circular 'object' seen in the spectro

It's a common condition in understanding 'The Schumann', that it's easier to make-up explanations than it is to become informed on the topic.

People WANT to see a planet, or a sphere, or other circular image that they recognize. Between 07--13 UTC, we see an interesting pattern. It is recognized as a "Spherical object" mystically shown in 'The Schumann.'



Is there a spherical object in 'the schumann', or is it simply that folks can't read the information ?

Once again, look at all of the complete data. We can see the dependency of frequency has dropped-out at 7 when we see the shape appear. One needs to observe the actual data of the dependencies. This is telling the observer what to see on the spectrogram.

It's difficult for people to see such a "perfectly round" shape, and not think that it's artificial. The problem is that the shape is not as perfect as people want to believe it is. The bottom of it (which you see as the top in the spectrogram), is flattened.

I would imagine that if the shape was a perfect as folks think, then perhaps it would be manufactured.

..

Overview.

Along the left margin of the spectro- is the resonance frequency, which starts at 0 in the top left corner. From there moving downwards, the numbers increase by segments of 4 Hertz to a maximum value of 40 Hertz horizontal frequency.

SR phenomena tops out in the atmosphere at ~46 Hz; therefore, it's a common occurence to find dedicated SR sites capped at 40-50 Hz Hor.

Some China-based sites cap at 30 Hz.

VLF sites, such as those in Italy cap at a higher frequency due to their designed purpose of detecting seismic activity. This is why those sites have seismic meters integrated into their system. SR lay within the ELF range of the spectrum, which technically stop at 30 hz. Hor.

[*Quick note on frequency. This is a term with broad, and often confusing usage. For our purposes, we'll define this term


. Frequency properly is used to designate peak events over time, or cycles per second; such as a wave, which moves in a horizontal fashion.

Amplitude is vertical frequency, or Intensity, measured as deci-Bels of electron-Volts. Spikes relative to the spectro- are scaled vectors, based upon the limitations of the scope itself.

Resonant frequency is the difference between two fundamental, or originating waves, called “wavefronts”. These fundamentals run into and over each other repeatedly, causing interference patterns, called “standing waves”. These are quasi-stationary, meaning they oscillate in-situ, or in place in the atmosphere.

Harmonics are a series of resonances, which are splitting-off from the original primary resonance into a harmonic set of evenly-spaced resonant frequency variants; in this case its “differential frequency”, or the separation between the resonant harmonics is 6.6 Hz. Again, this is a difference, or differential in the series, as these more fundamentals break-up, against each other.



Frequency, as given in the standard measurement of radio waves is the distance in kilometers, over time. The number values given in the dependence from Tomsk is a measure of kilometers; this is not the resonant frequency.

Frequency of the electric scale of a person is separated by 10 Hz. Each of your primary energy center portals ('the chakras') operates in 10 Hz differentials.

Frequency as periodicity, of heart rate function; synchronization of body centers with states of brain activity: called “coherence.”

Sympathetic vibrations is the best way of looking at this phenomena; essentially it's where one base resonance was moved to meet another, stronger base resonance. *]

Running along the bottom of the graph is the measurement of Time. There are two sets of clocks, on the report available through Disclosurenews.it. Local time in Tomsk is directly below the graph, in white numbers. This is UTC+7; UTC is based in England; East Coast US is UTC-5.

Patterns appearing on the spectrogram are real-time representations of a portion of the signal, which arrives at the detecting unit. (These are generally very sensitive; measuring in the pico-range (which is 15 decimal places below zero.) Schumann resonances are subtle energies in the atmosphere, like a type of “ringing.”)


The Spectrograph is plotted from the reporting 12 dependencies:

Amplitude (Modes 1-4) ; The Electric Side, units measured in deci-Bels of pico-electron-Volts. Earth-Sun magnetic link measures in the nano scale, which is 1,000 times stronger. Intensity is, again, the vertical frequency.

Quality (Modes 1-4) ; Magnetic Flux, measured in pico-Teslas.

Frequency (Modes 1-4); Wavelengths in kilometers.

Plotted upon the Dark Blue coloured "canvas" ; which would be our theoretical "at rest state" we theoretically return back to.

It might be considered like an "elastic", or a medium which is under a certain tension, therefore always in motion to-or- from that background "at rest", balance state.)

Upon this canvas gets the twelve dependencies to use color to represent segments of light, which plot a tapestry of patterns and “codes.”

Because the atmosphere, which includes all the way out into the magnetosphere, is elastic in this sense, this is what essentially creates this "weaving" pattern of sheparding these EM waves around the "waveguide" of the Earth-Ionosphere 'corridor.'

At rest state of "fair weather", is our theoretical "zero point"; which starts as a dark blue (Navy)-coloured background, which is as above-stated an interactive canvas. Upon this canvas gets reported with, or plotted by the information of the dependencies.

This is the actual raw data which is graphed by the line graphs of 4 individual colours.

I am referring to these 4 colours, which correspond to the 4 modes, as our pallet of "primary colours." (Technically, White is not a colour,


but blue is. We essentially have 4 colours as our primary pallet.)

When the literature refers to Modes, this relates measurements of the overall spectrum, based in relation of Amplitude to Quality; expressed as a type of ratio, or inverse relationship.

This band of signals is in the lowest end of low frequency radio waves, which encircle the globe; primarily due to lightning discharges.

This stated, the insulating cavity which is elastic, can bulge inwards, causing an increased “humming” as it compresses the lower atmospheric layers.


Part Two : The Twelve Dependencies ;

4 Modes Of Reception across the 3 Channels of Amplitude (+/- charge-voltage, measured as decibels of electron-volts) ; Quality (Magnetic flux, current [which is direction of N/S-E/W) ; Frequency(Wavelength in Kilometers)

Huh? Dependencies ? Modes ? This is the technical lens one needs to see properly the spectro-, as the pallet of colors used to plot the patterns splashed upon the 'canvas' of the .

This section explains the use of “the Modes”.

Modes are measurements of the bandwidths, or separations (similar to octaves) of the entire spectrum, which is measurable by the detector units. There is a pre-set, built-in limit of the range of measurable signal within the atmosphere. In the case of Tomsk, this range is 0.3-40 Hertz.

In other words, this means we break-down the entire spectrum of EMF waves, in a range which span ELF radio waves. Specialized receiving units are necessary, and custom-built for this purpose.


(*Note: Often, the operators are the ones who also designed and built the units.)

What are the modes, relative to the patterns plotted on the spectro-?

White/ Mode 1. This correlates to the highest layer of the ionosphere, furthest away from the planet. Highest frequency, of the low-range energy where the resonances reside. This is the tallest of the Amplitude, yet shortest in Magnetics

Amplitude 1 has an inverse size and shape relationship with Quality 1. Frequency 1 is generally the wavelength measurement of Quality 1. This it follows suit for the following depencenies listed below.

Our canvas analogy, starts with Navy background as the at rest state. As EMF signals pass-by the antenna-detector units, it captures a range of signals, logically divided into the shape configuration, according to mathematical formulae.

The actual number values are scaled to fit the space provided-for by the constraints of the spectrographic physical size. Regar


dless of the actual received value, it becomes scaled to fit the size parameter of the spectrographic space of the graphing equipment.

Picture this as a tall and narrow “brush”. The other colors attached to he Modes are successively shorter, but fatter in this markings, as they plot the various color signatures appearing on the spectro- image.


Mode corresponds to a harmonic band. 7.8-14.1 Hertz resonance is a Mode. The Mode might best correspond to a shape and geometry of a wave. Tall and Skinny spikes are Amplitude Mode 1.

Mode 1 is the highest Amplitude spikes. White spikes on the Schumann appear to be so strong, due to the fact that white is the chosen color for Mode 1. Yet, this was determined by an engineer. Heavy Mode 1 Amplitude activity is a signal in high charge; yet, this does not equate to these spikes being “white light energy.”

Yellow/ Mode 2; Not as tall, but wider wave form than Mode 1.

Red/ Mode 3; Not as tall, wider than the waveform of Mode 3

Green/ Mode 4; is lowest frequency, but largest in wavelength, between 10-100,000 Km in wavelength sizes; this indicates the waves moving closest in locating to the human populations.


Part Three : Plotting The Spectrogram [“spectro-”] (a.k.a. 'the schumann')

The signals received of the antenna-detector units are “plotted” by the spectrograph unit, to create the published representation of the spectrogram.

This is the top panel of the full report coming from Tomsk State University's S.O.S.

Due to the abilities of the antennae to pick-up only certain signals, these colours are going to also appear in certain recognizable patterns, based-upon the type of signal; whether it is more electric, or more magnetic.

For example, the bright green shows up largely as bands, due to the fact that it is exhibiting the characteristics of the magnetic waves.

Depending on where and how the EMF signal interacts with the antennae, this is the type of mark which is going to be plotted on the spectrogram, effectively.

In other words, white, and yellow frequently, appear as spikes, or vertical lines, due to the high content of electric charge, and the fact that this is how the antennae pick-up Amplitude/charge/electrics.

White and Yellow Modes are more heavy in electric content.

Green, Red [4, 3 respectively] modes measure the layers closer to Earth.

Green Measures the layer of emf waves which occupy the space between Earth and the lowest layer of the ionosphere.

Ultimately, the ionosphere acts as a constraint, which forces a bouncing; or return characteristic to the various wavelengths.

Because the Green is high in magnetic-side, the green-based colours are going to be more of a magnetic signal;

which correspondingly will be plotted horizontally, to reflect the orientation of the reporting dependencies, Quality. We see an "upright", or vertical signal in Quality in the line graph, but the full color spectrogram shows it much better, the orientation of the magnetics, basically as "flat."

The colours teal, aqua, turquois, "indiglow" are not actually in the "Green family", despite what your colour theory may tell you. They are...but not really. These are a product of the interaction with the background of Modes 1, and 2, the white and yellow.

White and yellow is top going down, as it were, into the otherwise calm background state of rest of the Dark Blue.

Going upwards from rest into the bottom of the modes, due to heavy magnetics, the colouration goes from dark blue into Green. This is how we know that the bright teal and turquoise is a signal moving from top (high charge), downwards into the "at rest state."

Red and Yellow make orange, pumpkin, rust; when mixed with white we get coral, or pink. These indicate a mid-grade electronics, fairly balanced with magnetics. This is why orange and rust colours seem to "float in the air" of the chart, because it is actually "floating" somewhat.



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Image capture link: (https://www.disclosurenews.it/schumann-resonance-last-image/)

Schumann Resonance Harmonics Youtube community page: (https://www.youtube.com/channel/UC2yopCLcJ9YU7JpRRGH7uAw/community?show_create_dialog=1)

Schumann resonances shareable link: (https://www.schumann-resonances.com/post/25-apr-2021-observations-addressing-the-circular-object-seen-within-the-schumann)

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