19 June 2021. Basic Introduction Essay: Preface;Observations; Reading Reports; Transliterating Color

19 June 2021. Basic Introduction Essay: Preface; Observations; Reading Reports; Transliterating Color Codes

[0] Preface

[1] Observations On Current Conditions at Tomsk;

[2] How To Read The Schumann Resonance Reports;

[3] Transliterating Color Information From The Spectrogram.

_

0.0 _ Preface

[This is the most current version. (This is likely the version I'm reading at the livestream/premiere.)

Best of all luck in making your way through this exposition. The population at large was given a "cover story" of the Schumann resonances to make it easy for you to comprehend; thus, so you would not have to work to find the actual, scientific meaning. There's a huge, steep learning curve to factually, technically understanding the SR. To technically, properly understanding this is a full concentration pursuit.

I have 30+ years of electronics, audio-video-computer-meter reading-etc. For me, this is still has a level of difficulty to it...due to the vast number of interferences, and distractions involved. If you have little to no practical experience in the above, there is a long, steep learning curve to properly understanding the atmospheric electromagnetics of the SR, as well as how to separate those FROM what's actually causing your ringing/vertigo/nausea/headache-suite of 'symptoms'.

There's way more to this, to understanding what's happening than simply thinking Earth's frequency is 7.8 Hertz...because that's simply untrue. It's not factual, nor is it anecdotally correct.

I hope you can learn something useful and beneficial for your time and work here, dedicated to learning the technical and scientific -side of The Resonances; of what they are, and what they are not.

Thank you for being here.]

This Basic Introduction is an on-going project.

It's a work-in-progress that has been developing since early days.

It seemed self-evident that a basic introduction was necessary; One that takes the observer through the entire process, from atmosphere to spectrogram.

I have been continually, regularly updating, refining this essay. To the best of my abilities, this is as basic as I can get it, without using actual number values, or abstract differential equations.

When I create an "Observations" Report, these will have actual number values for the day of the reading, as seen below.

This immediate essay is a general instructional 'manual' on how to decrypt the color information on the SR Spectrogram.

0.1 - Introduction

The purpose of this essay is to assist people who are interested in understanding the Schumann Resonances, as atmospheric phenomena from the technical perspective.

Additional to the atmospherics, we are faced with the detecting hardware of the antennae complex.

Attached to the hardware of the detector-antenna itself, to the meters, graphs used to record these signals.

Eventually a conditioned signal gets plotted, to be analysed on a RF Spectrogram.

0.1.1 - The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth's electromagnetic field spectrum.

0.1.2 - Schumann Resonances are extremely subtle--operating in the pico- range. Specialize detecting-antennae equipment is necessary.

0.1.3 - Detector antenna complex needs to be placed in a remote location.

0.1.4 - Complex chain of processing is necessary to extract a valid signal from the atmosphere.

0.1.5 - The extracted signal must be conditioned, before it is properly recognizable by the spectrogram analyser.

0.1.6 - There are multiple "moving parts" in this equation. The spectrogram is the last step in this process.

0.1.7 - SR are subtle energies of the atmosphere. Often times, these delicate atmospheric electromagnetics are over-powered by EM fields of unshielded domestic electronics.

0.2 - Atmsopheric EM is not automatically SR

We are looking to explore the SR.

However, it's now a common occurrence to confuse SR with any and all atmospheric electromagnetics.

Most of which are actually much stronger in power and intensity.

We discuss what are the SR, in addition to what they may not also be.

Unsheilded domestic electronics emit a RF signal much stronger than the SR.

This is more local to us, so we need to evaluate these as possible sources of "ringing" or physiological maladies.

0.3 - Keywords and phrases: Amplitude; Quality; Dependency; deci-Bel (unit of measure); Tesla (unit of measure); Mode (modulation); Bandwidth; Frequency; Velocity, Resonance; Harmonic; Vector; EMF (electro-magnetic field); nano- (prefix); pico-(prefix); Ionosphere (ionospheric layers); di-urnal variation;

1.0.0 __ Part One: OBSERVATIONS. Current conditions of Schumann resonances, as recorded on Tomsk's SOS graphs.

1.1 _ Current Conditions:

1.1.2 -Daily Spikes.

The following number values are the readings of the daily peaks, as reported by Tomsk SOS. (website link below.)

-Amplitude: A1(white)~ ; A2(yellow)~ ; A3(red)~ ; A4(green)~. (given in pico-electronVolt).

-Quality: Q1(white)~ ; Q2(yellow)~ ; Q3(red)~ ; Q4(green)~. (given in pico-Teslas).

-Frequency: F1(white)~ ; F2(yellow)~ ; Q3(red)~ ; F4(green)~. (given in Kilometers)

1.1.3 - Spectrogram:

Amplitude spikes come from lightning discharge; which travel in an upright fashion, as reflected on the spectrogram.

Quality is the magnetics, which radiate outwards, horizontally, as reflected on the spectrogram.

Green-mode-4 is the level, of wavelength frequencies which are closest in response to the actual planet themselves.

The other modes 1,2,3 measure reflectivity off the higher layers of the atmosphere.

1.1.4 - Things To Consider Relative To Amplitude Spikes, and The Schumann Resonance Harmonics:

The measurement of Schumann RESONANCE frequency is not that of a WAVE frequency.

Multiple waves interfering with themselves, create standing waves, hold steady at a resonant frequency; which is the difference between these two primary fundamental waves.

Harmonics are caused from two, or more waves being out of synchronization; which interfere with each other to create a resonance, harmonic frequency.

This resonant harmonic stays consistent over the course of time; due to certain constrains of the constants ( size and shape of the Earth, of the ionosphere; of the speed of light, and radio frequency waves, etc.)

1.1.5 - Amplitude spikes are not resonances, nor are they harmonics, nor are they measured in Hertz, which is cycles per second.

Amplitude (the electrical component) comes top-down, from the ionosphere (at around 200,000 Volts) to the Earth ground.

Amplitude is top-down, meaning it does not "rise" to a frequency. Amplitude does not "reach" up to a frequency. Amplitude lowers down to a reported deci-Bel power rating, which is pico-electronVolt deciBels of amplitude.

Amplitude spikes are not resonances, nor are these harmonic frequencies.

Amplitude spikes are jolts of electricity, which come top-down from a much higher voltage than that which is reported by the antenna detector complex.

1.2 __ Some Words On Frequency.

Frequency is a term with broad, often confusing usage. For our purposes, we'll define this term.

1.2.1 - Frequency, technically-speaking, is used to designate peak events over time. This is also cycles per second, such as a wave, propagating along a horizontal fashion.

1.2.2 - Amplitude is vertical frequency, or Intensity, measured as deciBels of electron-Volts. Spikes relative to the spectrogram are scaled vectors, based upon the limitations of the scope itself.

1.2.3 - Velocity is speed, straight-line vector travel over time.

1.2.4 - Resonant frequency is the difference between two fundamental, or originating waves, called “wavefronts”. These fundamentals run into each other repeatedly. This causes interference patterns, called “standing waves”. Standing waves are quasi-stationary; they oscillate in place in the atmosphere.

1.2.5 - Harmonics are a series of resonances, which are splitting-off from the original primary resonance into a harmonic set of evenly-spaced resonant frequency varients; in this case its “differential frequency”, or the separation between the resonant harmonics is 6.6 Hz. Again, this is a differential in the series, of one harmonic from another.

1.2.6 - Frequency, as given in the standard measurement of radio waves is the distance in kilometers, over time. The number values given in the dependence from Tomsk is a measure of kilometers; this is not the resonant frequency.

1.2.7 - Frequency of the electric scale of a person is separated by 10 Hz. Each of your primary energy center portals ('the chakras') operates in 10 Hz differentials.

1.2.8 - Frequency as periodicity, of heart rate function; synchronization of body centers with states of brain activity: called “coherence.”

1.2.9 - Sympathetic vibrations is the best way of looking at this phenomena; essentially it's where one base resonance was moved to meet another, stronger base resonance

1.3.0 _ Myths Of The Schumann Resonances

[Tomsk's] Spectrogram is NOT "The Schumann"; Comparing 'the schumann' to the spectrogram.

1.3.1 - What is "The Schumann" ?

1.3.2 - Short answer: Who knows ?!

1.3.3 - Longer Answer: Although this phrase is too commonly-used in the "Earth's-rising-vibrations"-based belief system of 'Ascensionism'; exists there does not such thing as "The Schumann."

This phrase is not found in Webster's dictionary. Nor is it found in Oxford's Dictionary Of English. This is not a phrase found in any scientific literature. One can not go to a clearing house of research and enter the phrase into a search engine, to return valid results. There simply exists no standard, technical definition of the phrase "The Schumann."

Yet, with the human condition, language underwrites all thoughts of the human. A definition or meaning is necessary to continue in the learning process.

There is a degree of fuckery inherent in the language, that allows for a wiggle factor, to conceal the innate meaning of a thought-form that is not well-developed; or a thought-form that is not grounded in an actual reality.

In other words, the language allows for a built-in distortion, or concealment of truth, behind personal perceptions.

1.4 - What is the problem with referencing the spectrogram as "The Schumann" ?

Primary Issue: "The Schumann" is pseudo-science, not rooted in scientific principles, or actual fact; while misrepresenting itself as legitimate science.

Part of "The Schumann" problem is one's innate understanding of a concept. Behind each phrase is a thought-form clear in one's mind: what clear picture does a person have in their head, associated with "The Schumann" ?

Part of "The Schumann" problem rests in the inability of the vocabulary itself not being able to convey the proper meaning. SR is radio, and invisible to the unaided eye; as such, a visual aid is necessary. Yet, in 'the schumann', what are the colors actually attached to?

Part of "The Schumann" problem is the fact that the word inherently is meaningless technically-speaking. It is one thing which has been misappropriated to represent something else, completely different. Due to the inherent fuckery of the phrase being introduced AS a means of confusion, continued use of the phrase is a continued walk along a pathway of confusion.

Part of the "The Schumann" problem is that belief itself has a power. Belief is fueled by the rhetoric we choose. How well do we know our own viewpoint, or the tenets of our belief? How often does additional facts, or data challenge our cherished beliefs?

Part of this issue is that beliefs don't need facts to be valid. Beliefs are not where facts go to become law. Yet, it seems important to bolster our deeply-held beliefs (which are invisible, unknowable) with actual facts, and objective validation.

It's simply my opinion that one should ideally come to understand SR simply for the fact of understanding the world in which we exist. Ascension is not based on an ability to understand SR. Ascension, as one has crafted the concept in the head is fine; without understanding the actual technical protocols of measuring SR.

However, if one feels the need to invoke the power and images of science for one's belief and mental well-being; then one needs to know what s/he is expousing. If one says that science is supporting their beliefs, then the science needs to be correct. You can not misappropirate the actual science and technology being used successfully elsewhere, for some alleged higher dimensional ideological crusade; at least, not without undesirable consequences attached to the deception.

Part of this issue is that the spectrogram is not a sensor device that measures anything. The Schumannists feel that their version of 'the schumann' [meaning spectrogram] is a receiver plugged directly into the atmosphere, without any signal processing, filtering, nor condition, nor is there a chain of electronic components in the process of plotting the image posted on Tomsk's servers, for public inspection.

Part of this issue is the assumed censorship when things go unexplainably wrong, or malfunction. They use an otheerwise unexplained image to explain something which would not otherwise be able to be shown, nor visualized. Replacing a manufactured narrative for an outright fabrication.

Hard to believe, but there are more particulars to this list of issues; yet, this will suffice for is essay. Planck has been established.

1.5 - What is the measure of "hocus pocus" in your Belief ?

The phrase 'hocus pocus' is the root of the phrase "hoax". The phrase originates in the day's of a court jester, jugglers who would utter faux Latin phrases to give the air of casting an actual spell, during illusion ritual for the entertainment of the King. It's part of the casting of enchantments, used in beguiling an unsuspecting Royalty.

Intrinsically, there is no scientific, technical, nor established meaning behind the phrase "The Schumann". As a technical descriptor, it's useless.

Among other reasons, a primary problem is that it is uncertain what are the parameters phrase covers. It's simply your inferred understanding of the phrase 'The Schumann', that allows it to have significance.

Yet...what does "The Schumann" actually mean?

Phrase "The Schumann" is at this point, what amounts to religious ideology associated with the Religion of Schumannism, or the Cult of Ascensionism, perhaps.

The degree of religious devotion that people pay mind to--in their daily pilgrimage to the website to gather the "The Schumann" data for the day--might be considered to be a scrupulous religious practice.

That there is no standard definition behind "The Schumann" is what allows wonky ideology to be corrupted. Yet, this phrase appears all over the pages and videos of those who are looking to cash-in on their scrying of 'the schumann' glyph.

"The Schumann" is used as a tool for "technological scrying": reading a meter reading based on intuition and wishful-thinking.

Essentially, the main difference between 'The Schumann' and the spectrogram is the inclusion of supporting data; and how the visual representation gets transliterated (whether it is read, or interpreted.) It's my understanding the "The Schumann" gets channelled or interprated based not on the actual accepted science.

In order to know the difference between 'the schumann' and the SR spectrogram, it's super important to know what a spectrogram technically does. From there, we might apply this to the application of Tomsk, and SR in general.

1.6 - Gaia's heartbeat.

Tomsk Spectrogram is not showing Gaia's heartbeat, at all; let alone the notoriously presumed band at 7.8 Hz.

There is another circuit entirely that conducts power through the planet herself. This is the 'lower DC circuit' of the telluric grid of the geoelectric circuit.

The spectrogram is not a seismic meter. Its not an optical light sensor. It is not measuring telluric currents; nor is it recognizing UV-series light; nor Gamma bursts; nor X-rays.

The Schumann resonances are the product of lightning discharges between the upper DC - lower DC circuits; which continue to propagate as magnetic waves, which circle the globe; eventually oscillating in place to create the atmospheric resonances.

Information outside of set range of signals, gets filtered-out as 'noise'. Local interferences can impart a false signal on sensitive detectors. Active filtering is used to avoid a false local signal imparted upon the plotted images.

The "heartbeat" of the planet rests within the "chest" of the planet herself. Current is the magnetic-side of the EMF signal. Travels "electrically" as a direction such as North-South/East-West, in the nano-Tesla range.

2.0 __Part Two: How To Read Schumann Resonance Reports From Tomsk (Tomsk State University/Space Observing System); in clear, concise terms.

2.1 __ Collecting & Processing Data

- The Antenna complex

On the subject of the receiving antennas for the data, we need to understand a few basic concepts on how the signals are measured.

Atmospheric electromagnetics propagate (move) through the atmosphere as follows:

Amplitude [Electric portion of the signal] propagates vertically (as a theoretical 'column') ; As a visual aid, I like to explain it moves like a flagpole, from top down into the Ground to be discharged in Earth's circuit. A di-pole wire [Marconi-type] is commonly used for this portion.

Quality [magnetic-side of the signal] propagates horizontally (laterally)--in a manner described as "hugging the ground" ; As a visual aid, I like to give the analogy of a see-saw on the playground, our theoretical fulcrum would be our theoretical flagpole, grounding into the grid. A pair of induction coils is used for detecting this portion.

2.2.0 _ The signal.

2.2.1 - Amplitude/ Electrics

An atmospheric electromagnetic impulse that reaches the antennae hardware (the actual wire itself), which is sufficient enough to overcome the impedence of the wore material generates a signal. This activates, initiates electron movement along our coil.

This action ultimately producing a "report", or a line in the reporting dependency; after it is filtered and conditioned.

There is a dipole-type antenna which measures [Amplitude] the electrics; reading in deci-Bels of pico-electron-Volts. The actual strength of the signal itself is not powerful enough to feed into the spectrogram, due to a constraint of the line level input strength of the arriving signal.

2.2.2 - Quality/ Magnetics

Induction coils serve as the magnetic-side [Quality] detectors; readings in pico-Teslas. Quality [the magnetic portion of the signal] travels horizontally, or "hugging the ground", laterally from the source, which is the electric-side.

Induction coils are usually wraped in protective enclosures of plexi-glass for protection. Generally are placed close to the ground, perhaps 6" off ground.

The heart of the SR detecting antennae is the induction coil. This is copper wire wrapped around a magnetically permeable material ("MuMetal").

The coil senses a EMF signal which is within a range of receptivity. The winding material itself, (oxygen-free copper wire usually) has an internal impedence, which might otherwise prevent a signal from being detected.

For finer signals like SR, finer diameters of wire are required: incoming signal needs to overcome the natural reluctance, or impedence of the wire, in order for a signal to be generated along the length of the detector coil.

2.2.3 - What is signal conditioning ?

From the antenna detecting harware a line signal is fairly weak, so it needs to get amplified to a usable voltage.

From this, a filtering chain is used to remove unwanted noise from the system. Such noise may be a 50Hz peak in the surrounding environment from domestic power mains.

A direct signal is not possible to be fed directly into a spectrogram. There is a line-level impedance issue in the first place that needs to be rectified. The input microvoltage coming from the antenna hardware is not up to a usable line-level strength, so an amplifier needs to increase the signal strength fed to the spectrogram.

There is also a point of data storage on harddrive, which requires a cpu proccessing algorithm to track, maintain the data, alongside of the dependencies being detected.

2.2.4 - Plotting the Spectrogram

The information plotted on the spectrogram is: the dependency of the dipole antennae; the dependency of (usually 2) induction coils: one for N-S; one for E-W; the dependency of the frequency, which is the distance from peak to peak, in kilometers.

Each of these dependencies has 4 potential colors that might appear on the spectro-, based on the mode, or 'slope' (shape) detected by the hardware itself.

The spectrograph is plotting a 3 dimensional, spherical signal, on a planar surface; based upon the information received from the reporting dependencies. The signal data reporting by dependencies is the 'mode color information'. The mode color information is what gets fed into the spectrographic plotter; therefore creating the interesting set of patterns found on the finished plotting.

2.2.5 - EXTREMELY IMPORTANT!

Spectrogram is not a reading from a meter, nor sensor, nor detector, nor antennae. The spectrograph is not reporting the actual data.

The spectrograph plots its images based upon the conditioned data coming-from the hardware itself; line graphs produced from the processing of the conditioned raw data = "Dependency".

The spectrograph creates a spectrogram, which is a useful tool for visualization; yet, it's important to remember that this image is a composite view to provide a convenient three-dimensional image. The plotted images of the spectrogram are scaled in resolution to fit the constraints of the actual scope screen.

2.5.0 __ The SR Spectrogram

2.5.1- Spectrogram analyses data.

Analyses means to evaluate; Or, as is our case, to break-up, or disperse the incoming signal of the dependencies.

"A spectrogram is a visual representation of the spectrum of frequencies of a signal as it varies with time. When applied to an audio signal, spectrograms are sometimes called sonographs, voiceprints, or voicegrams. When the data are represented in a 3D plot they may be called waterfalls." (https://en.wikipedia.org/wiki/Spectrogram)

It does not collect, nor measure, nor detect any information. Antenna hardware does the actual detecting of the physical environment. Antennae wire collects, or detects the actual environmental data, converting it into an electricdal impulse along an amplification and filtering chain.

These environmental signals become processed through the amp & filtering chain (conditioning) so as to become eventually intelligible to the spectrogram.

Conceptually-speaking spectrogram is a printer, which breaks-up a spectrum of light into constituent elements, based on dimensional ("slope") models, pre-set into the processing algorithm.

At no point is a spectrogram detecting, nor collecting data. This bit of machinery only ANALYSES data from an external (processing) source. [Common misunderstanding of The Schumannist's is the belief that the spectrogram receives the actual data from the atmosphere.]

The Spectrogram is a composite, plotted in colour, based upon the information from the reporting dependencies. This is one of the differences between "the Schumann", and the spectrogram. The spectrogram is plotting the signal

Schumann resonances are global electromagnetic resonances, generated by lightning discharges in the cavity between the Earth's surface and the ionosphere.

The cavity between the ionosphere and Earth ground is called a "waveguide." Schumann resonances bounce-off the Earth's surface; they are not generated FROM the Earth's interior. Lightning discharges are similar to striking a bell, which continues ringing.

This atmospheric resonance "hum" is that which is recognized by the antennae; therefore is that which is recorded on the spectrogram: subtle atmospheric resonances of the pico-range.

Spectrograph machines, in general, break-down a range of signals into constituent frequencies, or portions of the overall signal. With any spectrogram it's important to get the information of the dependencies. This is the signal after it has been filtered and conditioned; or, essentially, the raw data. .

For the sake of illustration, these graphs are reproducing a phenomena which is otherwise invisible. A little artistic license may be necessary, to decrypt the proper information appearing on the spectrogram.

2.5.2 - "Format:

" A common format is a graph with two geometric dimensions: one axis represents time, and the other axis represents frequency;

" a third dimension indicating the amplitude of a particular frequency at a particular time is represented by the intensity or color of each point in the image.

" There are many variations of format: sometimes the vertical and horizontal axes are switched, so time runs up and down; sometimes as a waterfall plot where the amplitude is represented by height of a 3D surface instead of color or intensity.

" The frequency and amplitude axes can be either linear or logarithmic, depending on what the graph is being used for. Audio would usually be represented with a logarithmic amplitude axis (probably in decibels, or dB), and frequency would be linear to emphasize harmonic relationships, or logarithmic to emphasize musical, tonal relationships. "

( https://en.wikipedia.org/wiki/Spectrogram)

2.5.3 - [ Basic introductions to spectrogram:

(https://youtu.be/_FatxGN3vAM);

(https://youtu.be/YZTTmNYr6jA);

(https://youtu.be/OI3pIvLhVcc) ]

2.6.0 - Orientation.

On the left side of the graph is the resonance frequency, which starts at 0 in the top left corner. From there moving downwards, the numbers increase.

Running along the bottom of the graph is the measurement of Time. There are two sets of clocks. Immediately below the graph is a string of white numbers, which is Tomsk Local Time.

The larger yellow numbers (provided by Disclosure_news) below these are time in UTC.

[ UTC originates in Greenwich, England; stands for Universal Time Co-ordinated. (Tomsk is UTC+17; East coast US is UTC-5).]

The Spectrogram coloring is plotted from the reporting 12 dependencies, of Amplitude (Modes 1-4) ; Quality (Modes 1-4) ; Frequency (Modes 1-4);

"At rest, fair weather state" (theoretical 'zero state') is Dark Blue. Dark blue is our "canvas."

2.7.0 __ Earth's Geo-Electric power grid.

2.7.1 - Earth: A Battery

It is well-advised to consider the planetary sphere as a type of battery. Three main components of the "Earth battery" are: the Upper DC circuit; AC circuit; Lower DC circuit.

2.7.2 - "DC" is direct current; or moving in a straight line. "AC" is alternating current; or moving in a wave formation.

2.7.3 - Upper DC Circuit. This is Basically the IMF (Inter-planetary magnetic field) which links Earth to the Sun. This is the magnetosphere, and ionosphere together. The Upper DC circuit acts as a capacitor to hold a high voltage charge in the upper atmosphere. The amount of charge held here is between 200K-250K Volts.

2.7.4 - AC Circuit. This is the area between the upper DC circuit, and the Earth Ground of the planet herself. This is also referred-to as the "waveguide" in which the SR activates. Energy range of this circuit is pico-electro-Volt, and pico-Tesla.

2.7.5 - Lower DC Circuit. This is the Earth ground of the planet herself. The first primary layer of conduction is through the telluric currents. The water and soil of the planet conducts a current, which is the magnetic side of power, moving laterally through the planet herself. This is measured in nano-Teslas

2.7.6 - Insulator, or Electric "choke". Under normal conditions, the lower atmosphere is generally a fine-enough insulator between these two poles of the planetary battery; which are both measured in the nano-Tesla range of the spectrum.

2.7.8 - Battery poles. The upper DC circuit is one pole of the battery. The lower DC circuit is the other pole of the battery. SR come from the discharge between one pole to the other. Usually, it's the Upper DC to the Lower; yet, the flow might move in the opposite direction, from Earth to ionosphere.

2.8.0 __ The Twelve Dependencies 4 Modes Of Reception.

2.8.1 - What is the SR "Mode" ?

The Short answer is that the Mode gives one the coloring information plotted on the spectrogram.

Modeis a correlation, or comparison between the Electric and magnetic components to the EMF within measurable range of the antennae. Because electricity and magnetism move as a "requited pair"; there should always be an inverse relationship between Amplitude and Quality.

Amplitude refers to the height of the signal, which is the coherent vector [velocity] of voltage (electron-Volts)

Each antenna complex reports four modes of Amplitude, Quality, Frequency. The antenna complex is recording a 3 dimensional configuration, based-up the signals received of the dependencies of the measuring hardware, after its been filtered and processed.

This is set-upon the base which measures the magnetics, or Quality, along two separate axes, 90 degrees apart; these are aligned North-South / East-West.

A Mode is a presumed shape of the SR wave. There is a mathematical description of the size and geometry of a wave of a theoretical model within the processing of the incoming signal; within a pre-measured SR spectrum (0.3-40Hz for Tomsk).

[Modes explained: (https://youtu.be/tQT0kZo_QDM)(https://youtu.be/zHHk6WUJUK0) ]

2.9.0 _ Modes = color info

Modes are what provide the coloring on the spectrogram plottage, depending on the parameters of the reporting hardware.

Modes are inversely related between the height of Amplitude, and the width of magnetics; which translates to the direction that a color moves, in addition to the size and shape of the "brush" used to color the spectrogram

White is Mode 1. This correlates to the highest layer of the ionosphere, furthest away from the planet; where the purest voltage is held intact.

White Amplitude is the tallest signal, highest in voltage. Narrowest in Magnetics.

Yellow is Mode 2, which measures a lower frequency range, or bandwidth, than the White Mode.

Red is Mode 3, which measures successively lower range of bandwidth than Yellow.

Green is Mode 4, the lowest frequency, largest in wavelength, between 10-100,000 Km in wavelength sizes. This equates to the green "brush" being the fattest, and widest tool to plot on the spectro-

2.10 End Part Two.

This is essentially the end of the line, before getting into how to actually read the color information on the spectrogram

At this point in my exposition of this process, we have not explained how to actually read the color information which gets plotted onto the "printer" of the spectrogram.

Part Three will explain in more detail how to extract meaningful information from the color patterns on the Tomsk spectrogram.

___

3.0.0 _ Part Three: Trans-literating Color Information On The Tomsk SR Spectrogram; Based upon actual numerical values provided by the dependencies.

The spectrogram is a type of "3D printer"; using Time as an axis in constructing our plotted result.

3.1. - Basic color theory, relative to plotting the spectrogram.

When I think of the signal being plotted on the spectrogram, I think of a painting being created.

The spectrogram at rest, waiting for a signal, creates a dark blue canvas; such as the type used for a painting.

Because the atmosphere tends to return back to the balance state of the "at rest position" (represented by dark blue); we could see this as type of motion. This "motion" could theoretically be reproduced with the use of color.

It might be considered like an "elastic", or a medium which is under a certain tension, therefore always in motion to or from that dark blue background "at rest", or balance point.) Upon this the twelve dependencies use actual light to plot a tapestry of patterns and codes; to represent a 3- dimensional image.

Because the atmosphere, which includes all the way out into the magnetosphere, is elastic in this sense, this is what essentially creates this "weaving" pattern of sheparding these EM waves around the "waveguide" of the Earth-Ionosphere 'corridor.'

At rest state of "fair weather", is our theoretical "zero point"; which starts as a dark blue (Navy)-coloured background, which is as above-stated an interactive canvas. Upon this canvas gets reported with, or plotted by the information of the dependencies. This is the actual raw data which is graphed by the line graphs of 4 individual colours. I am referring to these 4 colours, which correspond to the 4 modes, as our pallet of "primary colours."

3.2 - White may not be a colour, but blue is.

We essentially have 4 colours as our primary pallet. In the sense that a dark color is used in fine arts to indicate a field of depth, we might take a visual clue from this contrast of while on a dark background.

The contrast between these two visual opposites, provides the potential for dimensional information, using some creative license in decrypting the signal pattern information.

The ability to absorb solor information is not a universally-held trait among all humans. Some are simply better able to detect minor differences between colors. Additionally, not everyone will be able to properly extract the technical data, based upon a casual glance of the color patterns alone. The full report of all the dependencies is necessary to decrypt the proper readings from the spectrogram.

3.3 _ Transcribing color pattern recognition

This part may be the most advanced, and complex of it all.

This is where the observer is applying the actual measured data from the dependency (line graph), into the two dimensional plane of a spectrogram; which is ultimately working to provide a "3D" picture, based on certain characteristics

By understanding some basics, we can mentally construct a third dimensional axis, based on the density of the color information provided.

Due to the abilities of the antennae to pick-up only certain signals, these colours are going to also appear in certain recognizable patterns, based-upon the type of signal; whether it is more electric, or more magnetic.

For example, the bright green shows up largely as bands, due to the fact that it is exhibiting the characteristics of the magnetic waves.

Depending on where and how the EMF signal interacts with the antennae, this is the type of mark which is going to be plotted on the spectrograph, effectively.

In other words, white, and yellow frequently, appear as spikes, or vertical lines, due to the high content of electric charge, and the fact that this is how the antennae pick-up Amplitude/charge/electrics.

3.4 - Painting with electrons

White and Yellow Modes are more heavy in electric content.

Red and Green modes measure the layers closer to Earth. Green Measures the layer of emf waves which occupy the space between Earth and the lowest layer of the ionosphere. Ultimately, the ionosphere acts as a filter of sorts, which forces the bouncing, or return characteristics of the various wavelengths are.

Because the Green is high in magnetic content, the green-based colours are going to be magnetic, and display horizontally, to reflect the orientation of the reporting dependencies, Quality.

We see an "upright", or vertical signal in Quality in the line graph, but the full color spectrograph shows it much better, the orientation of the magnetics, basically as "flat."

The colours teal, aqua, turquois, "indiglow" are not all actually in the "Green-mode family". Some may be a product of "white mode" activity against the dark blue of our interactive canvas.

White and yellow is top going down, as it were, into the otherwise calm background state of rest of the Dark Blue. These are a product of the interaction with the background of Modes 1, and 2, the white and yellow.

Going upwards from rest into the bottom of the modes, due to heavy magnetics, the colouration goes from dark blue into Green.

This is how we know that the bright teal and turquoise is a signal moving from top (high charge), downwards into the "at rest state."

Red and Yellow make orange, pumpkin, rust, when mixed with white we get coral, or pink.

These indicate a mid-grade electronics, fairly balanced with magnetics.

This is why orange and rust colours seem to "float in the air" of the chart, because it is actually "floating" somewhat in our atmosphere.

3.5.0 __ Advanced Transliteration Techniques

3.5.1 - The Signal.

Electromagnetic radiation/waves which are within measurable range are the "SR signal". The signal is the range of EMF information that is captured by the detector-antennae.

There are sections of environmental EMF information, within the immediate atomsphere, which is not detected, therefore not measured, by the antenna wires.

EMF information of the atmosphere, which does not contact the SR antennae-detector units, is not getting reported on the graphs, therefore, not on the spectrogram. Again, the spectrogram is a plotter of information it's received from the line of the filter/amp/processor chain.

Amplitude. Height, vertical component of the signal.

Our amplitude brush tool plots of "paints" in a vertical fashion; the colors used for this depend upon which end of the wave is being measured and line-graphed.

We have 4 colors of : White, Yellow, Red, Green.

These colors correspond to a mode each: A1=White ; A2=Yellow ; A3=Red ; A4=Green.

3.6 - I have done a video on The Modes, and what these represent (https://youtu.be/ldGOF2xUVPk ).

In describing what are "modes", I use the analogy of brushes. These modes represent a size and shape of our "brush" tool, which creates, plots the patterns on the spectro-. The configuration, or "shape" of the Amplitude "brush" is skinny and tall.

Quality. Width or horizontal component. It's the measurement of the magnetic, or current, portion of the signal. Magnetic waves propagate, as if they were "hugging the ground." Horizontal bands of the SR spectro- reflect the "direction" of the quality of the signal.

Same 4 colors are used in the modes of Quality : Q1=White ; Q2=Yellow ; Q3=Red ; Q4=Green. The configuration of the Quality "brush" is wide and short.

Frequency. This dependency is matched closely with the Quality. Quality, again the magnetic flux; is a wave, moving at a frequency. Amplitude is not a wave, nor does it move as a frequency.

F1=White ; F2=Yellow ; F3=Red ; F4=Green. The tool, or "brush" configuration of Frequency is brightness of the horizontal band.

3.7 - Color theory.

We have prepared our hypothetical canvas. It starts as a deep, dark blue. Our palette of primary colors is: White, Yellow, Red, Green.

Our brush tools are shaped tall/skinny, or short/fat. These tools correspond with the various parts of the SR signal, as above stated.

Amplitude strikes first, in the form of a lightning discharge between ionosphere and the Earth Ground.

Lightning discharge is an arc, which bridges the upper DC [charge(+/-)] circuit, with the lower earth-ground DC [current (N-S/E-W)] circuit.

Amplitude discharge hits Earth ground, anchors-in some of this energy.

All the preceding discharge does not become subsumed by Earth current.

There is a residual "plasma"; essentially an amorphous force field. We might consider this as the tail of the discharge.

This plasmic tail end does not properly ground-into the planet, as the highly-charged leading edge would do. Instead, bounces off the ground, continuing in a coherent wave form hereafter.

Amplitude is short-lived, arrives first, comes fast; travelling in a straightline vector.

Amplitude moves with velocity, not a frequency. The "incoming" energies, meaning those coming from our nearest star, are high charge, low current.

As these solar bursts resolve into Earth ground, the result is to carry-on as current. Meaning, the energy shifts direction from vertical, into the Earth-hugging wave of the magnetic-side.

As near as I can tell, this is "THE SHIFT" in energy, which many people reference, unwittingly. "THE SHIFT" as a philosphical concept is not verifiable, nor able to be validated.

Yet, relative to the mechanics of the Schumann Resonances, this IS THE SHIFT.

THE SHIFT is that which moves from one direction, the high Charge intensity, into the degraded state of the magnetic current.

If we accept these solar flashes (in their aggregate) are bringing in the "Ascension Age," then the only possible SHIFT related to this phenomena, would be THE SHIFT in energies from Amplitude, into Magnetics.

3.8 - Brush tools.

At this point is where we start looking at the brush tools, which plot a picture pattern on the Schumann Resonance spectro-.

A1 is the tallest, and most narrow brush. It reports a high charge/elecro-volt signal. The number values on the sides of the dependency reports indicate the actual amount of pico-electron-Volts.

White Mode Amplitude [A1] is the tallest of the signal.

High charge signals will appear as THE SO-CALLED "whiteout," due to the overwhelming strength of this portion of the signal. Yet, the other modes are still active, underneath.

During so-called "whiteout conditions," these all-white-appearing spikes are usually fringed around the edges with tassles of the colors of: coral, orange, pumpkin, salmon, rust, maroon, green.

The apparent white spikes reflect the tallest, and most narrow portion. Due to the strength, power, of the A1 portion of the signal, it can overshadow the lesser portion of the same signal. In essence, A1-mode intensity "hides" the other colours.

Successively thereafter, it devolves in width to the Yellow[A2], Red[A3], Green[A4] modes, respectively.

Because of the descending width of the signal, we see these colored fringes peeking-out from behind the white caps of A1, which has overshadowed the remainder of our reference signal.

3.9 - Mixing Modes.

White + Yellow = pale white = white.

Yellow + Red = Orange-rust.

Red + Green = Rust-Maroon.

Color and shape are both important to evaluate.

Any given color by itself on the Spectro, is meaningless, without its directional component (tall, or wide, ie.)

3.9.1 - Color corresponding to a size/shape wave

Green is the widest of the signals, being closest to Earth-ground in origin.

Green is the primary coloring of the magnetic/horizontal bands. The horizontal bands are the representatin of the actual Schumann Resonances; which are given as "fixed frequencies", such as 7.83.

We refer to the Harmonic resonces as fixed frequencies, as they are largely held intact, due to a number of constants, which constrain the signals.

3.10 - Rising Frequencies.

Size and shape of the "waveguide cavity" is one of the constants, creating statistically consistent "fixed frequencies."

Speed of light, and radio frequency waves is another constant, which serves to fix intact, the Schumann resonances.

These "fixed frequencies" of the resonant harmonics are not rising, nor falling(!) signifigantly.

As a results of the constraints on the wave motions of these resonances, the variance between the max and minimum signal is only 0.5 Hertz, at the most.

Schumann resonances are not on an increasing trend.

That would be nearly impossible, at this point; again, due to the physical constraints of the factors above-mentioned.

That value of 7.8 is stationary, due to the constants.

More amplitude charge (spikes) creates more magnetic current.

As the increased current, the magnetic waves, crash into each other these create the standing waves of the resonant harmonics.

These harmonics are fixed at certain frequencies.

This pre-set frequency, e.g. 7.8 Hz, is not rising, due to the constraints of the constants.

Interference waves are those which travel a distance, then eventually meet-up back to themselves.

They crash into each other, with an increasing frequency.

This creates more interference waves. These interference waves are like broken pieces.

As longer waves bump into each other, they break-up into smaller pieces, creating higher resonance frequencies to appear.

3.11 - Money Analog.

For the sake of clarity, allow me to use money as a model of what I'm explaining.

If you were to take a a dollar and broke it into quarters, you would have 4 pieces.

If you broke the dollar into dimes, you have 10 pieces.

If you break the dollar into pennies, you have 100 pieces.

The dollar value is still equal in these examples.

One simply has more fragments.

The fragments are smaller, yet there is more of them. Overall, the value remains constant.

This is what is happening with the Schumann Resonances.

The frequency is not increasing, it's simply being broken into smaller portions.

The broke portions "float" to the top, and rise above the others.

Yet, it is LITERALLY rising in the atmosphere, but not in frequency. Higher harmonics are not an increased wave frequency; these are two different matters.

Waves propagate, or roll along the surface of the planet, while resonances are stationary, and do not propagate.

Thank you for reading. Hoping your day's Blessed.

_

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